The Koda is in Clave (Premiere)


The piece is dedicated to my friends Korin and Daniel (Ko-Da), they both have internship with Odyssey Chamber Music Series here at Columbia, MO. They put a concert together titled “Classic Pop” with the idea that classical music was one day very popular and appealing to huge amount of audiences. They will be playing together with my piece selections of classical music that will rock the audience and arrangements of pop tunes that are very popular.

This whole idea made wonder, when and why classical music stop being popular?…

Opera was back then the main event and if a guy was interested in a girl, well…”let’s go to the opera!”, now we go to the movies . Families used to have subscriptions for the local orchestra to go during the weekends because they’d play appealing programs, now we have Pandora, Spotify and Netflix (even Berliner Philarmoniker has the Digital Concert Hall, but that’s a different story). Before composers were the leaders of the musical tendencies and well if you wanted to know what was the latest trend, you had to go to concerts! but then we got recordings and afterwards videoclips you don’t need to go to concerts because we have it all there.

It sounds to me like classical music just didn’t adjust to the changes but still people needed entertaining and then got it from different places. Other artists—perhaps not as well academically prepared as the ones from the schools, but at the same way talented and communicative—took over this means of communication and spoke to the people the way they needed to. They gave people what they wanted, they spoke in their tongue of contemporary necessity and people loved it. We all love it when an artist expresses with his music or painting that thing we have like a knot in our throat and cannot tell.

However I feel that all the separation from the duet audience—composers that took place during the 20th century was absolutely necessary otherwise all the technical developments that were created would have been never possible. We needed  composers to work only for themselves incubating all those rational procedures that became art itself and that have an unmatchable amount of coherence. But will the audience notice all of that without the corresponding lecture that unfolds all the mysteries behind art? Definitely no… but we all have enough with the phrase “they won’t understand but they will feel it”… will they? I think they definitely will.

My piece is a attempt to put together ideas coming from both—the sometimes irreconciliable—fine art and popular music. From the popular I took danceable rhythms and from the fine art the idea of developing materials in a less spontaneous way. From the popular I also took the structure that is nothing else than an imitation if the structure of any mainstream radio (in fact my reference were Bruno Mars’ “Uptown Funk” and “any song” by Coldplay), verse, pre-chorus, bridge, chorus (multiple repetitions). From fine art the idea of dropping out some beats in a repetitive pattern to make it less danceable but still catchy (although dropped beat is also a big thing in country music!).

It’s a delight to work with friends specially when you get to be passionate about the same thing! My friend Korin has hispanic heritage as I do and Dan is crazy about Spanish language and Latino culture. This encouraged me to use a lot of licks in the music coming from the tradition of Charanga music, where string instruments are the leaders. Korin and Dan will show some chops!

Join us for a concert full of different nuances coming from all times and several cultures, Support the local artists!


Leave a Reply

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s